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The Art of Doing Nothing: a feminist manifesto - Stephanie Pan

by Stephanie Pan & Ensemble Klang

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1.
How To Not Know How To Not Know How To Not Know How To Not Know Question your motivations. Weigh all options repeatedly and simultaneously. Question your motivations. Weigh all options repeatedly and simultaneously. Cultivate doubt, question your choices or possible choices until you become paralyzed. How To Not Know How To Not Know How To Not Know How To Not Know How To Not Know How To Not Know How To Not Know How To Not Know It is critical in this moment not to panic. It is critical in this moment not to panic not to panic. It is critical in this moment not to panic. It is critical in this moment not to panic not to panic. It is critical in this moment not to panic. It is critical in this moment not to panic.
2.
It’s not about eliminating options or living in a vacuum or zen or whatever and it’s definitely not about doing nothing I think it’s about not adding value or not adding meaning or not adding expectation. And definitely not about feeling any less. Or detachment or any of that shit i want to cry and hurt and be wrong and fail miserably and be furious like fucking irate and be happy and ecstatic and overwhelmed with love and present but not not plan or only live in the moment it’s giving space to your own emotions thoughts intuitions and learning to hear and trust what the body tells you and leaning into but not overindulging or letting it send you over a cliff but also sometimes yes so it’s definitely not about being in control it’s about feeling comfortable with not knowing and responding to the unknown waiting and moving only when you really need to The way of the cat. Loving being still. Knowing when to pounce feeling when the moment is right and being ok with missing out sometimes it’s navigating chaos and learning to love living with doubt. And definitely doing things for the sheer pleasure of indulging curiosity PROCRASTINATION DOESN'T EXIST PRODUCTIVITY IS A LIE
3.
Step 1: Do Not Know what you want. Step 2: Impulsively explore all available options. Step 3: Resist the urge to dive in headfirst. Make no real choices, unless absolutely necessary, ie life or death situations, risk of personal harm or when it really doesn’t matter. Step 4: Do Nothing. Indulge laziness. Enjoy boredom. Surround yourself with inertia. Step 5: Become restless. Step 6: Do something you’ve been meaning / hoping / wanting to do, not because you should but because you feel like it. OR Become bored again until you become restless, but do nothing. Continue this cycle until you become motivated enough to do something to change this state of purgatory. But do not run away. Respect the need for nothingness. Step 7: Do something. This may or may not have to do with the choices or questions that have brought you into this cycle to begin with. Step 8: Do something else. Ride the wave of momentum.
4.
I am a lizard I am a lizard I am a lizard Scampering from one adventure to the next, the lizard occasionally is trapped by its own designs and must leave a piece of itself behind. I am a lizard I am a lizard.
5.
Shock 03:30
In the shock of finding that one’s hopes and ideals have become completely unhinged from reality or current state of affairs, it is critical to take a step back and review the manifold layers that led to this divergence. Hard recalibration. Willful emotions, larger personal contexts, unfulfilled desires, can drive one’s thoughts down irrational paths, which while also educational and illuminating can lead to painful disappointments and dark dead ends. In order to exit these points in a meaningful way, it is crucial to parse the specific ideals of a particular situation from attached larger meanings and relieve them of this additional baggage. The mind must be confronted with the stark reality and incompatibility of its current state; this can lead to a build up of tension, anxiety, anger, sadness, incomprehension. Suitable means of relieving these sensations include: [crying, bawling, sniveling, whimpering, staring blankly into space, wailing, moaning, sighing, weeping.] Thereafter one must continue the process of mourning lost ideals and reinventing one’s mindset.
6.
One must occasionally Crash headfirst In broad daylight At the peril of humiliation and shame At the peril of humiliation and shame Eyes wide open Arms spread like wings One must occasionally Crash headfirst In broad daylight At the peril of humiliation and shame At the peril of humiliation and shame Eyes wide open Arms spread like wings Examine the impact Enjoy the burn
7.
The body knows Speaks a mysterious silent language One that is felt through its endless networks Of blood and flesh and bones One that subverts the conscious mind And to listen carefully Is to create space To idle and linger To feel and understand in the bones
8.
Begin by fundamentally mistaking one thing for another. Then, cautiously, piece by piece, Coagulate your many desires and hopes with the small gestures. That is to say, attach meaning to otherwise meaningless and insignificant acts, experiences, moments, details, signs, this in place of listening to nagging suspicions that something is going horribly wrong. Fuse these elements with heart and mind until they become an inseparable whole. Nurture this ragtag, unholy conglomeration until it begins to grow out of control. As one’s needs can never be fulfilled by the acts one’s desires have become attached to, this will eventually become an unwieldy heaving mess. Despite your better instincts, continue to cherish this knotted, rowdy, unbearable creation as it becomes larger than you can contain within your own little heart. Like an ungrateful parasite, it bursts out from within you, laying waste to your insides revealing its terrible misguided form.
9.
Hard recalibration Hard recalibration Hard recalibration Weeping Hard recalibration Hard recalibration Hard recalibration Wailing Hard recalibration Hard recalibration Hard recalibration Outrage Hard recalibration Hard recalibration Hard recalibration Sadness Hard recalibration Hard recalibration Hard recalibration Mourning Hard recalibration Hard recalibration Hard recalibration Hard recalibration Cultivate chaos Cultivate chaos Cultivate chaos Cultivate chaos
10.
I am a marsupial One after another I bear a tiny speck of an idea so raw and half formed it’s blind and hairless and semi-transparent. It crawls into my belly where no one can see and feeds and grows in the dark. Later poking its fragile head out once in a while to taste the air until one day it rolls out of my belly fully formed and nimble.
11.
we grow the seed nurse the sapling water the tree And sometimes we crush it I am a robust vessel I am your ecosystem A warm embrace Your loving morgue I am soft and elastic Not firm not rigid Where some things are dying, while some things are growing an acrobatic feat An exploratory cautious pulsing I am a robust vessel I am your ecosystem A warm embrace Your loving morgue I am a robust vessel I am your ecosystem A warm embrace Your loving morgue And sometimes it all falls apart Sometimes it all collapses And suddenly there is a bloating a vacuum an empty space A miraculous nebula of unknowing THE ART OF DOING NOTHING IS CONSTANTLY BECOMING

about

Stephanie Pan’s 'The Art of Doing Nothing: a feminist manifesto' is about listening to yourself and the world around you. About saving power to explode with power. It is not about doing nothing. It is a proposal for navigating choice in a chaotic world. Celebrating qualities like intuition, vulnerability and emotionality, it is a vision on how to embrace the magical space of not knowing. Stephanie Pan and Ensemble Klang lure you onto a sonic roller-coaster that dives and soars through lush dramatic song, delicate soundscapes, post-punk noise, and pounding tekno beats.

credits

released April 26, 2024

Recorded live 11 January 2024, Musical Utopias festival, Korzo (The Hague, The Netherlands)

Concept, text and music by Stephanie Pan
performed with Ensemble Klang

Stephanie Pan - vox, synth, drum machine, effects
Erik-Jan de With - saxes
Michiel van Dijk - saxes
Anton van Houten - trombone
Joey Marijs - percussion
Saskia Lankhoorn - keys, backing vox
Pete Harden - guitars, backing vox

Recorded and edited by Micha de Kanter
Mixed and produced by Stelios Manousakis and Stephanie Pan
Mastered by Martin Siewert
Live sound by Tom Giles
Light and video design by ​​Pavla Beranová
Conceptual advice Snejanka Mihaylova

Artwork and album design Chaja Hertog

Live photos by Tessa Veldhorst

Ensemble Klang Records #17
Ensemble Klang Records is a production of Stichting Ensemble Klang which is financially supported by the City of The Hague and the Performing Arts Fund NL. With further financial support for the album from the Sena Muziekproductiefonds.

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